William Blake: The Critical Heritage
G. E. Bentley Jr.
The severe Heritage gathers jointly a wide physique of severe resources on significant figures in literature. every one quantity offers modern responses to a writer's paintings, allowing scholar and researcher to learn the fabric themselves.
NOTE at the TEXT
Part I Blake’s Life
1 common comments
2 exterior events
6 ‘He is often in Paradise’
Part II Writings
7 stories of Malkin’s account of Blake (1806)
8 basic comments
9 Poetical Sketches (1783)
10 The e-book of Thel (1789)
11 The French Revolution (1791)
12 Songs of Innocence and of expertise (1789, 1794)
13 the USA (1793) and Europe (1794)
14 Descriptive Catalogue (1809)
15 Jerusalem (1804–?20)
Part III Drawings
16 General comments
Part IV Engraved designs
17 General comments
18 Salzmann, parts of Morality (1791)
19 Burger, Leonora (1796)
20 Cumberland, techniques on define (1796)
21 Stuart and Revett, Antiquities of Athens, vol. III, 1794
22 Young, evening concepts (1797)
23 Hayley, Essay on Sculpture (1800)
24 Hayley, Designs to a chain of Ballads (1802)
25 Hayley, Life...of William Cowper (1803)
26 Hayley, Triumphs of mood (1803)
27 Hoare, educational Correspondence (1804)
28 Hayley, Ballads (1805)
29 Blair, The Grave (1808)
General reviews, 1805–63
General reviews, 1810–26
30 The Prologue and Characters of Chaucer’s Pilgrims (1812)
31 Virgil, Pastorals (1821)
32 Remember Me! (1825, 1826)
33 Illustrations of The booklet of task (1826)
34 Blake’s Illustrations of Dante (?1838)
Part V normal essays on Blake
35 B.H.MALKIN, A Father’s Memoirs of his baby, 1806
36 H.C.ROBINSON, ‘William Blake, artist, poet and spiritual mystic’, Vaterländisches Museum, translated, 1811
37 Obituary in Literary Gazette, 1827
38 Obituary in Literary Chronicle, 1827
39 ALLAN CUNNINGHAM, ‘William Blake’ in his Lives of... British Painters, 1830
40 ANON., ‘The innovations of William Blake, painter and poet’, London college journal, 1830
41 ANON., ‘The final of the supernaturalists’, Fraser’s journal, 1830
42 FREDERICK TATHAM, ‘Life of Blake’, ?1832
Part VI Forgotten Years: References to William Blake 1831– 62
ANNOTATED INDEX OF NAMES
Sole and fourfold dominator of the prestigious urban of Golgonooza! The medical professional assures me that the redemption of mankind hangs at the common diffusion of the doctrines broached during this M.S.—But, although, this isn’t the topic of this scrinium, scroll, or scrawl, or no matter what you'll name it.2 1 Oxford road isn't really in Jerusalem the town; Jerusalem the lady is in Oxford road (Jerusalem, pl. 38). 2 ‘Mr. [Janus] Weathercock’s inner most Correspondence, meant for the general public Eye. George’s espresso.
Unportus(?)] as they're infamously done[.] this can be a very unusual view, no less than of Blake’s personality. not less than certainly one of Blake’s contemporaries proposal his maximum paintings was once his huge, immense drawing of ‘The historical Britons’, which seemed in his exhibition of 1809. (dd) In 1865 Seymour Kirkup wrote that Blake [c. 1809] used to be portray the master-piece on the time, the good fresco on canvass (an invention of his personal) which made such an impact on my brain that i'll draw it now, after a lapse of fifty five.
pay attention his suggestion & even now write from his Dictate. (c) Hayley’s misery on the engraved portrait was once lasting and regularly expressed, for example in a poem of July: arduous artist of a liberal center compensate for error of a skillful Hand That failed the due Resemblance to impart To that pricey shape which activates my tear to start[.] As fact herself allow his new portrait stand adequately attractive & mildly grand[!] Hayley forgave Blake almost immediately after he met him in the summertime of 1800, and in a letter.
Performances: I ever observed; & is, in lots of respects more advantageous to the final Judgment of Michael Angelo’ (No. 16z). In 1803 William Hayley instructed a possible client that Blake’s ‘great unique powers’ as an inventive inventor are ‘perhaps unequal’d one of the Br[itish] Artists’ (No. 16j), and Charles Lamb wrote to a chum in 1824 that ‘His photos… have very good energy and spirit, yet demanding and dry, but with grace’ (No. 39 ¶35). Allan Cunningham remarked in his 1830 biography that Blake ‘was a such a lot.
21– 2; see Blake documents (1969), pp. 193–4. 2 117 WILLIAM BLAKE those, of any sequence of designs which artwork has produced, are the main only increased of their relation and sentiment. it'd be lengthy to discriminate the placement they carry during this appreciate, and even as the overlook during which they're held via a few who pass judgement on of them in a fabric relation; whereas the nice good looks which they own will right away be obvious to others who can relish their sort in its immaterial.