When That Rough God Goes Riding: Listening to Van Morrison
wish” in 1947, the disappointment rolling over a rock ’n’ roll beat in Lloyd Price’s “Lawdy pass over Clawdy” in 1952, the sympathy of Bobby Bland’s “I’ll look after You” in 1959, the knowledge of Irma Thomas’s “Ruler of My center” in 1963, the sweep of Aretha Franklin’s “Ain’t No approach” in 1968, the refusal to stroll a step quicker or a step slower of Sinéad O’Connor’s “Nothing Compares 2 U” in 1990—but with no glamour, or perhaps a trace of functionality, of gestures prolonged or notes held for influence. the road.
(Castle, 1990). Green’s paintings on Fleetwood Mac member Danny Kirwan’s “Something inside Me” is better heard on Fleetwood Mac’s Shrine ’69, a stay recording from la (Rykodisc, 1999). Johnny Ray, Cry (Bear relations, 1990). A definitive assortment, together with “Cry,” “The Little White Cloud That Cried” (1951), and Ray’s hit disguise of the Prisonaires’ “Just Walkin’ within the Rain” (1955). Mattie might Thomas, “Workhouse Blues” (1939), on American Primitive Vol. II—Pre-War Revenants (1897–1939).
misplaced in his personal music, to wander off from it, convinced it is going to be there whilst he will get again. For refrain after refrain she’s the 1st voice of the track, pushing it together with her violin right into a realm of natural freedom, the place whatever may be acknowledged yet not anything should be. “Alright,” Morrison says. “Yeah.” “Whoo”—and Marcus presses on, all yet sawing her arm off. Morrison comes again enhanced, encouraged, able to reclaim the track. “That backstreet rock ’n’ roll,” he says, “that’s the place it comes from, man,” with it.
Hyde-Lees, George “Georgie,” Hymns to the Silence (Morrison) Hynde, Chrissie “I count number the Tears” (Drifters) “I Get round” (Beach Boys) “I simply intend to make like to You” (Waters) “I Wanna Roo You” (Morrison) “I’ll look after You” (Bland) Impressions “In desires” (Orbison) “In the hour of darkness Hour” (Pickett) within the identify of the daddy (Sheridan) Inarticulate Speech of the center (Morrison) Into the tune (Morrison) “Into the Mystic” (Morrison) Invasion of the physique Snatchers (Siegel).
Caesar (Shakespeare) “Just Like a girl” (Dylan/Morrison) Kaufman, Phil Kay, Connie continue It basic (Morrison) Kennedy, Robert F. Kesey, Ken KFRC radio, San Francisco, Calif. Kidd, Johnny, and the Pirates King, Martin Luther, Jr. Kirk, Roland Kissoon, Katie Klein, Robert Knopfler, Mark Kray Twins KSAN radio, San Francisco, Calif. Labes, Jef Laine, Frankie Landau, Jon Langhorne, Bruce “The final snicker” (Knopfler/ Morrison) The final Waltz (Scorsese) “Lawdy omit Clawdy”.