Transcendental Style in Film: Ozu, Bresson, Dreyer.
19tt.'Tll. rf,.h. oI nny hire novi.e tnds to d.ny th! v.lu* oI th. previous g6€.rid ril ro rpprov. oI th. m,iic L.hrvlorof th. young-But i||..U !.ofL t. dl5pL.s.d via ih. jds nbdlon ollh. r.nn8 ril &.p! ro oPPe tl*n'4 ln tlE tad;$n oI 26 .n, ofl d€ now not loB. s altGdrl nd and nrrut, Lur ryntlEli! !.rsen tl| previous Tr th. d$, n r[. Lt3.r cdkr ol rhe frryr urt.s rh6. ddmb -'tl .v.rrthtng. The Maway, whkh ltrecb dd.mnpa$a ,pit-Akne d.l9htd ol fokya Tuillsht lTaklo Bdshakr, a957) !.dn.t!" which Pemeareeh.r.
at the present time, "hould during the phrases of my outdated teacher,that not anything, all through ltcrnity, can get rid of me from where chosenfor me from all r'llrnit/, that i used to be the prisoner of His SacredPassion." As in Ozu's movies, the passionin Diary of a rustic Priest r,,l',reaterthan a guy can bear,more than his atmosphere can r lr cive. The younger priest's crossof religious awarenessgradually .rlicnateshim from his surroundingsand finally Ieadsto l ri :;deat h. the degrees of alienationdemonstratedby.
with out dedication there might be no stasis. InDiary of a rustic Priest the decisiveaction is the priest'sdeath, whilst his frail physique falls from the body and the ( rmera holds on a blatant image: the shadow of the pass forged rrrra wall. ln A Mqn Escapedit is the nocturnal escape,with its t oncomitant and all-important acceptanceof gracein the individual oI Jost.InPickpockef it's Michel's imprisonment and his irrcxplicableexpressionof love for )eanne.lnTheTrial of Ioan ol Arc it's Joan'smartyrdom,.
Transcendentar variety differs from the former varieties of transcendental artwork in ,h";;;; method cinema differs from the former inventive media. Transcendentalstyle adapts the idea of plentiful and sparse skill to cinema. Transcendentalstyle, really evidently, operatesin time; it needs to maintain the viewers,sinterest from one to ihree hours. Conseguentlytranscendentalstyle isn't a set courting betweenabundant and sparsemeans like sculpture, yet a fluid interplay making a temporal in addition to.
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