They Might Be Giants' Flood (33 1/3)
S. Alexander Reed, Philip Sandifer
For a couple of a long time now, they could Be Giants' album Flood has been a beacon (or no less than a nightlight) for those who may well relatively learn than rock out, who care extra approximately technological know-how fiction than Slayer, who're extra referred to as smart than cool. Neither the band's hip origins within the reduce East facet scene nor Flood's platinum certification can hide up the record's singular value on the geek fringes of culture.
Flood's importance to this viewers is helping us comprehend a undeniable approach of being: it indicates that geek id does not rely on references to Hobbits or Spock ears, yet can as an alternative be a collection of inventive and interpretive practices marked through playful excess―a flood of principles.
The album additionally clarifies an historic second. The brainy type of young ones who listened to they could Be Giants observed their very own cultural ideas develop explosively in the course of the past due Nineteen Eighties and early Nineteen Nineties amid the early tech growth and America's advancing leftist social tides. even if it was once the band's goal, Flood's jubilant proclamation of an identification unconcerned with coolness stumbled on an amazing viewers at a great turning element. This booklet tells the story.
extra tunes.” however the deluge is not only certainly one of tunes—it’s within the tunes themselves. Examples of counting issues and significance abound within the band’s lyrics. Noting quite a few on Flood, we've: “countless screaming Argonauts,” “a watch with a minute hand, millennium hand, and an eon hand,” “more espresso for me, boss,” and the counting tips of “two via … 3 via 3 in addition to 4 by means of 4” and on target 3, “she’s 4 years long past, she’s 5 ft tall and si[x] [sic] of me.” Pa ra n o i a (.
Lyrics and performances one of those autonomy • 77 • FLOOD during which they’re less than no legal responsibility to dwell as much as the subtexts of rock that come with vainness, hypermasculinity, biographical authenticity, and narrow-minded beneficial. The album’s 16-bit recipe preempts all this, that's most likely fortunate, contemplating how a lot the sound of rock track at huge might swap inside a yr or of 1990. M e d i a l S o n g s ( I C a n J u s t B a r e l y H e a r Yo u ) within the greater scheme of the.
Performativity and its validation of over the top emotion. Even the bondage scene, as argued via Margot Weiss in her ethnography suggestions of enjoyment, is predicated round a sort of interminable intake and assortment. • 96 • S. ALEXANDER REED AND PHILIP SANDIFER H a c okay i n g a s F l o o d i n g ( D o n ’t S p e n d t h e R e s t o f Yo u r L i f e Wo n d e r i n g ) yet possibly the main simple hyperlink among the emerging machine tradition and the cultured of flooding is flooding’s aforementioned.
chances of cookies and wigs (or of Kirk and Spock’s torrid amorous affairs, to select up a thread from the final chapter)—become completely average whereas nonetheless maintaining their arbitrariness. the reason is, there’s no regular uniform or search for enthusiasts at they could Be Giants concert events, even between individuals who may count number cosplay as a pastime; the tune largely resists typical whatever. And so while, nevertheless, we come upon supposedly mainstream wishes within the duo’s songs—a slinking Iggy Pop-style.
From the publishers. No accountability for loss brought on to anyone or association performing on or refraining from motion a result of fabric during this book should be accredited via Bloomsbury or the authors. Library of Congress Cataloging-in-Publication information they could Be Giants’ Flood / S. Alexander Reed and Philip Sandifer. -- 1st variation. pages cm. -- (33 0.33) contains bibliographical references and index. ISBN 978-1-62356-915-0 (pbk. : alk. paper) 1. they may Be Giants (Musical.