Someone to Watch Over Me: The Life and Music of Ben Webster (Jazz Perspectives)
Early in his occupation, Webster labored with a number of the maximum orchestras of the time, together with these led by means of Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster turned Duke Ellington's first significant tenor soloist, and through the subsequent 3 years he performed on many well-known recordings, together with "Cotton Tail."
Someone to monitor Over Me tells, for the 1st time, the whole tale of Ben Webster's wonderful and stricken occupation. For this complete examine of Webster, writer Frank Büchmann-Møller interviewed greater than fifty humans within the usa and Europe, and he contains quite a few translated excerpts from eu periodicals and newspapers, none formerly to be had in English. moreover, the writer reports each identified Webster recording and picture, together with many inner most recordings from Webster's domestic assortment now not to be had to the public.
Exhaustively researched, this can be a a lot wanted and lengthy past due research of the existence and song of 1 of jazz's most vital artists.
Now. Hawkins has received his blouse off and continues to be blowing. you were given to return down.” yes sufficient, once we received there, Hawkins used to be in his singlet, taking turns with the Kaycee males. it sort of feels he had run into anything he didn’t count on. Lester’s variety used to be mild, and as I acknowledged, it took him possibly ‹ve choruses to hot up. yet then he would truly blow; you then couldn’t deal with him on a slicing consultation. That was once how Hawkins obtained hung up. The Henderson band used to be enjoying in St. Louis that night, and Bean knew he.
Likewise a Tuesday. every thing issues towards August 10, 1943 because the date of Ben’s debut as bandleader. the precise lineup of Ben’s rhythm part in the beginning of the engagement is unknown, yet drummer Sidney Catlett and bassist Al McKibbon have been in Ben’s new rhythm part from the beginning, however it is unknown even if Johnny Guarnieri used to be the unique pianist or if anyone preceded him. as a minimum, Guarnieri used to be changed by way of Billy Taylor in November 1943. “I had simply come to manhattan and that i desired to.
And once more Ben is the one soloist. He performs choruses following the subject, going into overdrive within the moment. the following, the 2 ‹rst A-parts commence with an outburst in altissimo notes, and he ‹nishes the refrain with strange wavelike ‹gures. He improvises the B-part of the ‹nal refrain, portray with a huge and delicate brush with dynamics introduced down to piano. The pearl of the consultation is a really attractive and romantic model of you're Too attractive. His SOMEONE to monitor.
As a few of his fresh Mercury documents display, he nonetheless blows with that tremendous combination of surcharged energy and acute sensitivity.”24 Ben’s nice musical adulthood is clear within the recordings Ben now made totally for Norman Granz. Granz had begun recording him in his personal identify in may possibly 1953. mixed with recordings from December a similar yr, the consequences have been reissued in 1957 at the LP King of the Tenors, yet firstly published below the both suiting name, Consummate Artistry, a.
tune is the place or whilst with Ben back providing small diversifications at the subject matter. Tatum performs the ‹rst 16 bars of the final refrain and Ben joins him for the rest of the track, properly tying up a beautiful consultation with a concluding word relocating upward step-by-step towards the basis word of the dimensions within the best check in, hot, complete, and in ideal pitch. even supposing Tatum had completed higher effects formerly and turns out to play a little normally in this consultation, the general impact is of such.