Queens Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip Hop Hustler
in keeping with police wiretaps and particular interviews with drug kingpins and hip-hop insiders, this is often the untold tale of the way the streets and housing tasks of southeast Queens took over the rap industry.
For years, rappers from Nas to Ja Rule have hero-worshipped the mythical drug buyers who ruled Queens within the Eighties with their violent crimes and flashy life. Now, for the 1st time ever, this gripping narrative digs underneath the hip-hop fables to re-create the increase and fall of hustlers like Lorenzo “Fat Cat” Nichols, Gerald “Prince” Miller, Kenneth “Supreme” McGriff, and Thomas “Tony Montana” Mickens. Spanning twenty-five years, from the violence of the crack period to Run DMC to the notorious homicide of NYPD rookie Edward Byrne to Tupac Shakur to 50 Cent’s battles opposed to Ja Rule and homicide Inc., to the killing of Jam grasp Jay, Queens Reigns Supreme is the 1st inside of examine the notorious southeast Queens crews and their connections to gangster tradition in hip hop this day.
Of the game-changing, iconic hustlers of southeast Queens. The Rap video game the probabilities of surviving the streets of southeast Queens within the eighties have been narrow. it doesn't matter what their prestige within the crews, such a lot hustlers of the period ended up useless, serving lengthy legal phrases, or restrained to a wheelchair. certainly, mythical road gamers wheeling round the forty initiatives, Hollis road, and the Baisley Park homes grew to become a typical sight within the early nineties and past. Given the chance, many hustlers all started.
Queensbridge domestic; the Lorenzo brothers have been discovering that they’d need to paintings with the ferocity of a road entrepreneur to make it within the song company. immediately Outta Hollis within the early nineties hip-hop was once nonetheless a homegrown phenomenon of expertise exhibits, selfmade mixtapes, and modest autonomous labels that at top brokered under profitable offers with majors like CBS. The scene yielded hit records—RUN-DMC’s elevating Hell, the Beastie Boys’ License to in poor health, and NWA’s instantly Outta Compton.
The hook itself sung via R&B vocalists. The power got poor reviews—Greg Kot of The Chicago Tribune wrote that the checklist “offers an identical, drained gangster litany of massive weapons, sizeable libidos, ribald jokes and offended threats,” whereas The Village Voice’s Robert Christgau railed opposed to it as “socio-pathic effortless listening … undesirable pop music”—but it turned a mainstream phenomenon, spending the majority of 1993 within the most sensible ten on Billboard’s pop and R&B charts, competing with pop juggernauts like Whitney.
CMC member Chris Black had a name locally as a fearsome road fighter. Irv signed CMC to Blunt/TVT in 1993, yet he was once involved that one workforce member, Jeffrey Atkins, aka Ja Rule, wouldn't go muster with the streets. Like Darryl McDaniels of RUN-DMC, Atkins used to be a Catholic-school child raised within the tame portion of Hollis less than 2 hundredth highway. “Ja was once a candy kid,” recalls a former TVT government. “He was once part the burden that he's now. It looked like he weighed not more than.
gift cash from a unmarried donor and he had a formative years buddy on the 103rd Precinct who assisted him in vetting the handfuls of leads coming in. the money, notwithstanding, labored opposed to Fisher’s efforts—“Everyone’s factor used to be, ‘Well, how am I gonna get the gift if my info ends up in the capture?’ ” he says—as did his connection to the NYPD. A resource on the subject of Jay’s kinfolk says that Fisher’s assertion of such an immense gift did little yet allure fake leads and that he by no means accrued the.