Elliott Carter: A Guide to Research (Routledge Music Bibliographies)
John F. Link
it is a finished consultant to investigate at the American composer Elliott Carter (b. 1908), greatly stated as one of many maximum composers of the 20 th century. It features a chronology, entire record of works, distinct discography, and completely annotated bibliography of over 1,000 books, articles, interviews, video recordings, and Carter's personal writings. This crucial reference booklet covers the main major works in English, French, German, and Italian, from the 1940s-when Carter's tune first started to allure attention-to the Nineties.
0); Harvest domestic (item 202); logos (item 178); Let’s Be homosexual (item 216); middle no longer So Heavy As Mine (item 20 8); The safeguard of Corinth (item 139); Musicians strive against all over the place (item 231) Harriet See In Sleep, in Thunder Harvest domestic 202. Koch foreign Classics 3–7415–2H1 (CD) (1998) John Oliver Chorale, John Oliver (music director) Recorded may perhaps 1997, Emmanuel Church, Boston, MA 4:15 manufacturer: Susan Napodano DelGiorno Engineer: Silas Brown Notes via Elliott Carter, Steven Ledbetter With.
Violoncello and Piano (item 301) 360. 2. in simple terms Auvidis Montaigne MO 789003 (CD) (1995) Solo Violin Irvine Arditti (vn) Recorded 28–29 January 1989, Conservatoire de Musique, Liège, Belgium 4:10 Notes by way of Philippe Albera With Franco Donatoni: Argot; Julio Estrada: Canto oculto; Brian Ferneyhough: Intermedio alla ciaccona; James Dillon: Del cuarto elemento; Luis de Pablo: Il violino spagnolo 361. 2. merely Victoria VCD 19094 (CD) (1996) modern track from the US Ole Böhn (vn) Recorded December.
finish, “I wouldn’t be in any respect shocked if works just like the classes Quartet or the Harris Symphony have been to develop into extra renowned than those self-conscious and constrained compositions ever will be.” 408. “La base rhythmique de los angeles musique américaine.” See “The Rhythmic foundation of yankee tune” (item 530). 409. “Le basi ritmiche della musica americana.” See “The Rhythmic foundation of yank track” (item 530). 410. “Brass Quintet.” In WEC, 322–25. Reprinted in CEL, 256–58. Italian translation.
Autograph fabrics: Paul Sacher beginning Bibliography: goods 742, 769 second ed. Canonic Suite a. Musical reviews Nos. 1–4 ca. 1932–35 1. Fanfare 2. Nocturne three. Tarantella four. Andante Espressivo for unspecified instrumentation Unpublished Autograph fabrics: Paul Sacher beginning b. Suite for Quartet of Alto Saxophones renamed Canonic Suite for Quartet of Alto Saxophones 1939; rev. 1981 1. Fanfare, ca. 1:00 2. Nocturne, ca. 3:00 three. Tarantella, ca. 2:00 Revision of a BMI, 1945; AMP 7904–4, 1984;.
769 second ed., 772, 815, 817a *Ann Santen served as musical director of Cincinnati’s public radio station WGUC. 28 ELLIOTT CARTER fifty eight. fifty nine. 60. finish of a bankruptcy See Of problem and of affection (item seventy six) Esprit rude/Esprit doux accomplished 2 November 1984, Waccabuc, long island for flute and BB clarinet ca. 4:00 Hendon track (Boosey & Hawkes) M051102518 (ENB 251), 1985 commitment: “pour Pierre Boulez en occasion de son soixantième anniversaire” (for Pierre Boulez in party of his 60th birthday).