Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records

Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records

Amanda Petrusich


The untold tale of a unusual and demanding lifestyle: the area of 78rpm documents and the insular neighborhood that celebrates them—by acclaimed track critic and writer Amanda Petrusich, who contributes on a regular basis to Pitchfork, The Oxford American, and The long island Times.

Before MP3s, CDs, and cassette tapes, even ahead of LPs or 45s, the area listened to song on 78rpm records—those fragile, 10-inch shellac discs. whereas vinyl files have loved a renaissance lately, strong 78s are exponentially more durable to come back via and play. a up to date eBay public sale for the one recognized replica of a specific list crowned out at $37,100. Do now not promote at Any expense explores the rarified global of the 78rpm record—from the format’s heyday to its close to extinction—and how creditors and archivists are operating frantically to maintain the tune sooner than it’s misplaced forever.

Through interesting historic learn and beguiling visits with the main sought after seventy eight preservers, Amanda Petrusich deals either a novel glimpse of the realm of seventy eight accumulating and the misplaced backwoods blues artists whose 78s from the Nineteen Twenties and Nineteen Thirties have not begun to be discovered or heard by way of sleek ears. We stick with the author’s descent into the oddball fraternity of collectors—including adventures with Joe Bussard, Chris King, John Tefteller, Pete Whelan, and more—who create and stick to their very own principles, vocabulary, and economics and discover the fundamental genres of blues, people, jazz, and gospel that gave seed to the rock, pop, nation, and hip-hop we listen this day. From Thomas Edison to Jack White, Do now not promote at Any cost is an untold, exciting tale of renovation, loss, obsession, artwork, and the evolution of the recording codecs that experience replaced the methods we hearken to (and create) track.

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